The Flaneur RLE Social Theory

The Flaneur  RLE Social Theory Author Keith Tester
ISBN-10 9781317657279
Release 2014-08-21
Pages 212
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Timely and original, this collection of essays from the leading figures in their fields throws new and valuable light on the significance and future of flânerie. The flâneur is usually identified as the ‘man of the crowd’ of Edgar Allen Poe and Charles Baudelaire, and as one of the heroes of Walter Benjamin’s Arcades Project. The flâneur’s activities of strolling and loitering are mentioned increasingly frequently in sociology, cultural studies and art history, but rarely is the debate developed further. The Flâneur is the first book to develop the debate beyond Baudelaire and Benjamin, and to push it in unexpected and exciting directions.



The Flaneur

The Flaneur Author Edmund White
ISBN-10 9781408883723
Release 2016-10-20
Pages 224
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A flâneur is a stroller, a loiterer, someone who ambles without apparent purpose but is secretly attuned to the history of the streets he walks - and is in covert search of adventure, aesthetic or erotic. Acclaimed writer Edmund White, who lived in Paris for sixteen years, wanders through the avenues and along the quays, into parts of the city virtually unknown to visitors and indeed to many locals, luring the reader into the fascinating and seductive backstreets of his personal Paris.



The Fl neur Abroad

The Fl  neur Abroad Author Richard Wrigley
ISBN-10 9781443869812
Release 2014-10-17
Pages 402
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This volume offers new perspectives on a crucial figure of nineteenth-century cultural history – the flâneur. Recent writing on the flâneur has given little sustained attention to the widespread adaptation of the flâneur outside Paris, let alone outside France and indeed Europe, whether in the form of historic antecedents, modern sequels, or contemporary echoes. Yet it is clear that the allure of the flâneur’s persona has led to its translation and adoption far beyond Parisian boulevards and passages, and this in different media and literary genres. This volume maps some of the flâneur’s travels and transpositions. How far the flâneur is dependent on Paris as a milieu is opened up for questioning: for all the international dispersal of this idea and model, in some sense Paris is always present, if only as a reference to kick against or replace. When modern flâneurs step out in foreign cities, how much of a Parisian ethos clings to them, however they might claim independence? Cities which provide counterpoints to Paris discussed here are Amsterdam, Brussels, Dublin, Le Havre, London, Madrid, New York, Prague, and St Petersburg. This internationalised view also reconsiders the nature of the flâneur, and revises stereotypes based on Walter Benjamin’s account of Baudelaire. Another key feature is the chapters which analyse the flâneur in terms of visual representations, whether graphic illustration, streetscapes, urban design, cinema, or album covers (related to musical examples from the 1950s to the present).



Dandyism and Transcultural Modernity

Dandyism and Transcultural Modernity Author Hsiao-yen Peng
ISBN-10 9781136941740
Release 2015-01-28
Pages 280
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This book views the Neo-Sensation mode of writing as a traveling genre, or style, that originated in France, moved on to Japan, and then to China. The author contends that modernity is possible only on "the transcultural site"—transcultural in the sense of breaking the divide between past and present, elite and popular, national and regional, male and female, literary and non-literary, inside and outside. To illustrate the concept of transcultural modernity, three icons are highlighted on the transcultural site: the dandy, the flaneur, and the translator. Mere flaneurs and flaneurses simply float with the tide of heterogeneous information on the transcultural site, whereas the dandy/flaneur and the cultural translator, propellers of modernity, manage to bring about transformative creation. Their performance marks the essence of transcultural modernity: the self-consciousness of working on the threshold, always testing the limits of boundaries and tempted to go beyond them. To develop the concept of dandyism—the quintessence of transcultural modernity—the Neo-Sensation gender triad formed by the dandy, the modern girl, and the modern boy is laid out. Writers discussed include Liu Na’ou, a Shanghai dandy par excellence from Taiwan, Paul Morand, who looked upon Coco Chanel the female dandy as his perfect other self, and Yokomitsu Riichi, who developed the theory of Neo-Sensation from Kant’s the-thing-in-itself.



Flaneuse

Flaneuse Author Lauren Elkin
ISBN-10 9781448191956
Release 2016-07-28
Pages 336
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'Flâneuse [flanne-euhze], noun, from the French. Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities. That is an imaginary definition.' If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse? In this gloriously provocative and celebratory book, Lauren Elkin defines her as ‘a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk’. Part cultural meander, part memoir, Flâneuse traces the relationship between the city and creativity through a journey that begins in New York and moves us to Paris, via Venice, Tokyo and London, exploring along the way the paths taken by the flâneuses who have lived and walked in those cities. From nineteenth-century novelist George Sand to artist Sophie Calle, from war correspondent Martha Gellhorn to film-maker Agnes Varda, Flâneuse considers what is at stake when a certain kind of light-footed woman encounters the city and changes her life, one step at a time.



American Flaneur

American Flaneur Author James Werner
ISBN-10 9781135879853
Release 2004-04-15
Pages 200
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American Flaneur investigates the connections between Edgar A. Poe and the nineteenth-century flaneur - or strolling urban observer - suggested in Walter Benjamin's discussion of Baudelaire. This study illustrates the centrality of the flaneur to Poe's literary aims, and uses the flaneur to illuminate Poe's intimate yet ambivalent relationship to his surrounding culture. While James V. Werner concentrates on Poe's fiction, this book treats many areas of nineteenth-century intellectual and popular culture, including science and pseudo-science, the American magazine marketplace, urban topology, the grotesque, labyrinths, narratives of exploration and discovery, and cosmological treatises. Werner draws on Marxist, reader response and periodical theories while reconstructing Poe through examinations of ephemeral texts of the time.



Paris as Revolution

Paris as Revolution Author Priscilla Parkhurst Ferguson
ISBN-10 0520208870
Release 1997
Pages 261
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"In this absolutely powerful and innovative book, Priscilla Parkhurst Ferguson illuminates the complex links between the Revolution of 1789, the different revolutions that took place in 19th-century Paris, and two aesthetic forms characteristic of the cultural discourses of modernity: panoramic journalism and the realist and historical novels authored by Balzac, Flaubert, Hugo, Zola, and Valles. A work of cultural history with stimulating implications, "Paris as Revolution" is well-structured, carefully argued and problematized, and compelling in its scholarship."--Catherine Nesci, author of "La Femme mode d'emploi" "A fascinating and richly suggestive essay on the cultural geography of nineteenth-century Paris. It is imaginatively conceived, broad in its reach, boldly interdisciplinary. Ferguson's success in combining literary criticism, historical interpretation and sociological analysis to reconstruct the shifting meanings given to the experiences of urbanization and revolution is most impressive."--Jonathan Beecher, author of "Charles Fourier: The Visionary and His World"



The Flaneur

The Flaneur Author Christel Hollevoet
ISBN-10 OCLC:57124644
Release 2001
Pages 1150
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The Flaneur has been writing in one form or another for most of life. You can find so many inspiration from The Flaneur also informative, and entertaining. Click DOWNLOAD or Read Online button to get full The Flaneur book for free.



Walking in Berlin

Walking in Berlin Author Franz Hessel
ISBN-10 0262036355
Release 2017-05-05
Pages 304
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Franz Hessel (1880--1941), a German-born writer, grew up in Berlin, studied in Munich, and then lived in Paris, where he moved in artistic and literary circles. His relationship with the fashion journalist Helen Grund was the inspiration for Henri-Pierre Roche's novel Jules et Jim (made into a celebrated 1962 film by Francois Truffaut). In collaboration with Walter Benjamin, Hessel reinvented the Parisian figure of the flaneur. This 1929 book -- here in its first English translation -- offers Hessel's version of a flaneur in Berlin. In Walking in Berlin, Hessel captures the rhythm of Weimar-era Berlin, recording the seismic shifts in German culture. Nearly all of the essays take the form of a walk or outing, focusing on either a theme or part of the city, and many end at a theater, cinema, or club. Hessel deftly weaves the past with the present, walking through the city's history as well as its neighborhoods. Even today, his walks in the city, from the Alexanderplatz to Kreuzberg, can guide would-be flaneurs.Walking in Berlin is a lost classic, known mainly because of Hessel's connection to Benjamin but now introduced to readers of English. Walking in Berlin was a central model for Benjamin's Arcades Project and remains a classic of "walking literature" that ranges from Surrealist perambulation to Situationist "psychogeography." This MIT Press edition includes the complete text in translation as well as Benjamin's essay on Walking in Berlin, originally written as a review of the book's original edition."An absolutely epic book, a walking remembrance." -- Walter Benjamin



The Spectator and the City in Nineteenth Century American Literature

The Spectator and the City in Nineteenth Century American Literature Author Dana Brand
ISBN-10 0521362075
Release 1991-10-25
Pages 242
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In this publication, Brand traces the origin of the flaneur, a detached, casual, and powerful urban spectator, who regards the metropolis as an entertaining spectacle and text, of seventeenth-century English literature. He then discusses the development of the English language tradition of the flaneur in its social, cultural, and philosophical contexts. Taking the encounter with the spectator and city life as an important point of contact with modernity, Brand offers his own readings of three of the most important American writers of the nineteenth century, Poe, Hawthorne, and Whitman, and the way in which, at various points in their work, each author represents a spectator who looks at a city crowd and responds to it as an entertaining spectacle, tracing the similarities and the differences that distinguish each author in his common search for literary forms adequate to the rush of city life.



The Image in Dispute

The Image in Dispute Author Dudley Andrew
ISBN-10 0292704763
Release 1997
Pages 331
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Photography, cinema, and video have irrevocably changed the ways in which we view and interpret images. Indeed, the mechanical reproduction of images was a central preoccupation of twentieth-century philosopher Walter Benjamin, who recognized that film would become a vehicle not only for the entertainment of the masses but also for consumerism and even communism and fascism. In this volume, experts in film studies and art history take up the debate, begun by Benjamin, about the power and scope of the image in a secular age. Part I aims to bring Benjamin's concerns to life in essays that evoke specific aspects and moments of the visual culture he would have known. Part II focuses on precise instances of friction within the traditional arts brought on by this century's changes in the value and mission of images. Part III goes straight to the image technologies themselves—photography, cinema, and video—to isolate distinctive features of the visual cultures they help constitute. As we advance into the postmodern era, in which images play an ever more central role in conveying perceptions and information, this anthology provides a crucial context for understanding the apparently irreversible shift from words to images that characterized the modernist period. It will be important reading for everyone in cultural studies, film and media studies, and art history.



Hitchcock s America

Hitchcock s America Author Jonathan Freedman
ISBN-10 0195353315
Release 1999-02-25
Pages 208
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Alfred Hitchcock's American films are not only among the most admired works in world cinema, they also offer some of our most acute responses to the changing shape of American society in the 1940s, 50s, and 60s. The authors of this anthology show how famous films such as Strangers on a Train, Vertigo, North by Northwest, and Rear Window, along with more obscure ones such as Rope, The Wrong Man, and Family Plot, register the ideologies and insurgencies, the normative assumptions and the cultural alternatives, that shaped these tumultuous decades. They argue that, just as these films occupy a visual landscape defined by the grand monuments of American civic life--Mt. Rushmore, the Statue of Liberty, the United Nations--they are also marked by their preoccupation with the social mores and private practices of mid-century America. Not only are big-city and suburban life the explicit subjects of films like Rear Window and Shadow of a Doubt, so are the forms of experience that emerge within these social spaces, whether the urban voyeurism examined by the former or the intertwining of banality and violence depicted in the latter. Indeed, just about every form of American life that was achieving social power at this time--the national security state; the science and art of psychoanalysis; the privileging of the free-wheeling, improvisatory self; the postwar codification and fissuring of gender roles; road-culture and its ancillary creation, the motel--is given detailed, critical, and mordant examination in Hitchcocks films. The Hitchcock who emerges is not merely the inspired technician and psychological excavator that critics of the past two generations have justly hailed; he is also a cultural critic of remarkable insight and undeniable prescience.



Reflections of a Metaphysical Flaneur

Reflections of a Metaphysical Flaneur Author Raymond Tallis
ISBN-10 9781317546597
Release 2014-09-11
Pages 320
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These essays from one of our most stimulating thinkers showcase Tallis's infectious fascination, indeed intoxication, with the infinite complexity of human lives and the human condition. In the title essay, we join Tallis on a stroll around his local park - and the intricate passages of his own consciousness - as he uses the motif of the walk, the amble, to occasion a series of meditations on the freedoms that only human beings possess. In subsequent essays, the flaneur thinks about his brain, his relationship to the rest of the animal kingdom, his profession of medicine and about the physical world and the claims of physical science to have rendered philosophical reflection obsolete. Taken together the essays continue Tallis's mission to elaborate a vision of humanity that rejects religious myths while not succumbing to scientism or any other form of naturalism. Written with the author's customary intellectual energy and vigour these essays provoke, move and challenge us to think differently about who we are and our place in the material world.



Flaneur

Flaneur Author Richard D. E. Burton
ISBN-10 STANFORD:36105020835521
Release 1994
Pages 80
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Flaneur has been writing in one form or another for most of life. You can find so many inspiration from Flaneur also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Flaneur book for free.



The Invisible Fl neuse

The Invisible Fl  neuse Author Aruna D'Souza
ISBN-10 0719067847
Release 2006
Pages 185
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First book to bring together analysis of the gendered experience of urban space (the flaneuse) in an art historical context.Contains contributions by noted scholars Linda Nochlin and Janet Wolff.Relevant not only to art history and visual culture, but also to cultural studies, urban studies, French history, women's studies.



Urban Culture

Urban Culture Author Chris Jenks
ISBN-10 0415304970
Release 2004
Pages 296
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This set includes key pieces from Peter Ackroyd, Charles Baudelaire, Walter Benjamin, Homi Bhaba, Charles Dickens, Fredrick Engles, Paul Gilroy, Thomas Hobbes, Max Weber, George Simmel, Ian Sinclair, Edward W. Soja, Gayatri Spivak, Nigel Thrift, Virginia Woolf, Sharon Zukin, and many others. The material is arranged thematically highlighting the variety of interests that coexist (and conflict) within the city. Issues such as gender, class, race, age and disability are covered along with urban experiences such as walking, politics & protest, governance, inclusion and exclusion. "Urban pathologies," including gangsters, mugging, and drug-dealing are also explored. Selections cover cities from around the globe, including London, Berlin, Paris, New York, Los Angeles, Rio de Janeiro, Bombay and Tokyo. A general introduction by the editor reviews theoretical perspectives and provides a rationale for the collection. This collection offers a valuable research tool to a broad range of disciplines, including: sociology; anthropology; cultural history; cultural geography; art critical theory; visual culture; literary studies; social policy and cultural studies.



Streetwalking the Metropolis Women the City and Modernity

Streetwalking the Metropolis   Women  the City and Modernity Author Deborah L. Parsons
ISBN-10 019158410X
Release 2000-03-02
Pages 256
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Can there be a flaneuse, and what form might she take? This is the central question of Streetwalking the Metropolis, an important contribution to ongoing debates on the city and modernity in which Deborah Parsons re-draws the gendered map of urban modernism. Assessing the cultural and literary history of the concept of the flaneur, the urban observer/writer traditionally gendered as masculine, the author advances critical space for the discussion of a female 'flaneuse', focused around a range of women writers from the 1880's to World War Two. Cutting across period boundaries, this wide-ranging study offers stimulating accounts of works by writers including Amy Levy, Dorothy Richardson, Virginia Woolf, Rosamund Lehmann, Jean Rhys, Janet Flanner, Djuna Barnes, Anais Nin, Elizabeth Bowen and Doris Lessing, highlighting women's changing relationship with the social and psychic spaces of the city, and drawing attention to the ways in which the perceptions and experiences of the street are translated into the dynamics of literary texts.